gregory maurice
Meet Greg Maurice, a proud Haitian-American who has harnessed his rich experiences, culture, and values to carve a remarkable path in the entertainment industry. With a staggering portfolio of over 350 acquired titles and a cumulative licensing revenue of over 100 million dollars from prominent platforms like Netflix HBO, BET, Hulu, Showtime, Starz, Allblk, and Amazon, he has proven himself as a visionary executive.
Throughout his career, Greg has flourished in various renowned companies such as Fox, Big 3, and Redbull. However, his true breakthrough came when he spearheaded the launch of the Black vertical at eOne, igniting his passion for film and acquisition. Currently holding the position of Senior Director of Global Acquisitions & CO-Productions at CSS, Greg continues to acquire for Crackle, Redbox, and Screen Media.
Greg’s platform serves as a beacon for talented filmmakers from marginalized communities, providing them with the guidance and expertise they need to secure distribution deals and capitalize on their projects.
As a reputable and successful Black executive, Greg understands the challenges faced by filmmakers, particularly those who don’t have a blueprint for success. He aims to empower individuals with invaluable strategies to monetize their films and avoid falling prey to exploitative systems.
Throughout his career, Greg has flourished in various renowned companies such as Fox, Big 3, and Redbull. However, his true breakthrough came when he spearheaded the launch of the Black vertical at eOne, igniting his passion for film and acquisition. Currently holding the position of Senior Director of Global Acquisitions & CO-Productions at CSS, Greg continues to acquire for Crackle, Redbox, and Screen Media.
Greg’s platform serves as a beacon for talented filmmakers from marginalized communities, providing them with the guidance and expertise they need to secure distribution deals and capitalize on their projects.
As a reputable and successful Black executive, Greg understands the challenges faced by filmmakers, particularly those who don’t have a blueprint for success. He aims to empower individuals with invaluable strategies to monetize their films and avoid falling prey to exploitative systems.